For any occupation, for any industry sector, there is a danger for words to become hackneyed, over-used, a clichรฉ. Arguably, “storytelling” is one of those words. But there’s one story, told to us by Danilo Velimirovic, the Founder of Danilo Branding, during our interview, that helped to bring meaning back to the phrase. When it comes to brand building, at least.
“Increasing brand recognition for one client in the construction industry was one of my most difficult projects,” he explains. “The goal was to position the company as the leading provider of residential and commercial building services. It necessitated a modern, cohesive brand and implementation of cutting-edge marketing strategies that would surpass the competitors.”
So this isn’t a Coca Cola, Porsche or Dior. This is a down-to-earth brand that’s unlikely to have a fantastic roster of source images. Fortunately, Danilo has years of experience to draw upon.
“By using Adobe Illustrator and Photoshop, I produced graphics that showcased the business’ trustworthiness and expertise,” he told us. And now comes the even more impressive bit. “To make sure the campaign resonated with the target audience, I analysed our target audience using Salesforce’s analytics and developed a marketing campaign tailored to the brand’s ideal customer profile.
“Additionally, I created marketing assets for email campaigns and social media, which required knowledge of After Effects to produce engaging video content and Premiere Pro to edit high-quality promotional films.” You can find out more about this particular project by following this link.
Our thanks to Danilo for sharing that story and indeed all his answers in this comprehensive interview – including why he thinks of AI as a collaborator in his work.
When thinking of your creative process, at what point does technology come in? What role does it play in different stages, from concept to final design?
Technology is a key component of my workflow right from the start. Having worked with the Adobe Suite for more than eight years, I’ve perfected the art of turning concepts into polished designs with ease. Technology begins with audience insights. My design method is based on identifying important customer behaviours, which I do with CRM systems like Salesforce. Whether I’m using Illustrator to write ideas or Photoshop to refine details, Adobe products enable me to experiment and iterate rapidly.
I use dynamic motion graphics to make designs come to life after the concept is apparent, thanks to programs like After Effects. Technology guarantees scalability by the end, whether it is by producing assets for digital, print, or web advertising platforms.
Paul Rand once said, “Design is the silent ambassador of your brand.” This is one of my guiding beliefs. When used properly, technology enables that ambassador to communicate in all media with accuracy and clarity.
In the end, technology enhances creativity rather than replaces it. It bridges the gap between creativity and execution, guaranteeing that designs are not only aesthetically pleasing but also strategically sound from audience research to final delivery.
How has technology changed the way you collaborate at work? And in your view, has it improved or worsened navigating creative differences with clients or team members?
Collaboration has been much easier over the years due to technology, particularly apps such as Adobe’s Creative Cloud. Photoshop and Illustrator make it particularly easy to ensure consistency between projects, whether I’m working from abroad or at home. Similarly, using marketing software has also made it easy to create real-time data insights to keep everyone in agreement with campaign objectives.
Confronting differences with clients has become easier for me to resolve using modern online features. I’ve found that a lot of confusion is eliminated when I provide live designs or previews using Adobe XD to showcase the brand’s identity. When clients can see how a design changes over time, it makes it easier to have constructive discussions regarding adjustments.
However, more significant than the technology itself is how you use it to communicate. Using technology to communicate is more important than anything when delivering projects. I approach creative collaboration carefully with the idea that less is sometimes more, drawing inspiration from companies like the Nothing Brand, which is renowned for embracing simplicity in both its product design and brand messaging. Even the most difficult issues have been dealt with through two-way communication based on common objectives.
Technology is a bridge and a tool for us to promote open awareness and strengthen communication between each other to get the best results possible.
What trends in graphic design are you most excited about right now, and where do you see the industry heading?
A strong trend that I think is becoming popular is nostalgia in design with a simple contemporary twist. In order to create designs that feel both new and familiar, brands are fusing modern components with vintage looks. In addition to conveying a forward-thinking personality, this approach connects consumers to their history by appealing to something very personal.
Vans is a great example of this idea. They create a retro appeal to urban consumers, making campaigns that merge old-school street culture with modern visuals, generating the feel of an authentic and personal brand.
This industry is changing rapidly, showing that storytelling and emotion are a key part of a brand’s identity, providing the path towards genuine branding that emphasises deeper connections. With nostalgia serving as a link to authenticity, I see the future of graphic design developing further into a field where creative stories will develop the brand rather than the logo.
Generative AI has definitely changed the way we create in the field of graphic design. We can now use tools that have changed the process of developing ideas and mockups by using AI creation like Midjourney, which allows designers to visualise their vision in a faster and more realistic way at the click of a button. These resources are excellent for ideation. However, it cannot replace the complexity and creative thinking of a human.ย We can create designs that no AI can do as we have the cognitive ability to not only create designs that are visually appealing but also create a sense of emotion within the designs.
Companies such as Apple create visually appealing designs. Still, they are so successful because they have a community within their brand to make the customer feel as if they are a part of something greater. For example, the well-known “Think Different” campaign was about more than simply their visual outlook. It was about questioning conventions and establishing a bond with their target demographic. AI canโt match human insight and cultural knowledge, which is the foundation of that calibre of narrative.
I view AI as a collaborator in my own work. It can help expedite repetitive processes, such as producing quick graphic drafts or variations of a design. This is where software such as Adobe Photoshop or Illustrator will be used to refine those drawings to create something distinctive, which changes any design from something visual to a design that speaks to its audience.
Though I am adamant that AI and human creativity can coexist, the emergence of AI in design can only go so far. Designers will always be more capable of pushing the envelope and can revolutionise design with the support of AI.
With the rise of AI and automation in design, how do you see the role of a graphic designer evolving in the next few years?
The role of a graphic designer is changing into something far more strategic as automation and artificial intelligence take over more design duties. Designers are becoming more than just visual designers; we are also becoming strategists, storytellers, and problem solvers who can create the link from analytical data to creative visual responses.
Designers at Adidas and Nike have quickly adapted to this change. Nike’s customised advertising campaigns, for instance, use data to produce hyper-targeted images that appeal to what people find entertaining/personal to their goals. This change shows that although AI may aid us in finding the information we may need, the designer is still responsible for interpreting the information, providing context, and creating an engaging story.
Designers are bound to pursue positions requiring strategic thinking, emotional intelligence, and cultural sensitivity in the next few years due to the shift in what the market is asking for from designers due to AI. Although we will still need tools like Adobe Suite, how we use them will change dramatically throughout the years. Designers will start developing skills such as creating tailored concepts, challenging brand issues and tackling modern marketing issues in certain areas rather than putting in hours on monotonous work.
It will be crucial to understand target audiencesโ behaviours, marketing tactics, and data analytics. As designers, we will serve as a solution for people who need a bridge to cross from analytical data to creative solutions using that data.
The Adobe Suite is a large contributor to developing and refining my work in my day-to-day business. I personally use Photoshop, Illustrator, and After Effects, especially often to create marketing campaigns, brand identities, templates, animations and more. I’ve been using these platforms for about eight years as an extension of my creativity.
Photoshop and Illustrator are a large part of my creative process business. For editing photos and creating interesting design mock-ups, I always use their software for the best outcome. Illustrator provides a clear and aesthetic feel to all my designs when developing logos and typography, while Photoshop lets me be creative with my mock-up designs and edit imagery in new and playful ways.
Using After Effects allows me to perfectly captivate content that stands out in the rapidly evolving digital landscape of today and make static designs come to life. Whether It’s a ten-second clip for social media or tampering with appealing transitions, it provides a wide range of resources for me to create something people can enjoy or even learn from.
Salesforce is crucial in bridging the gap between imagination and outcomes, even outside design-specific tools. It enables me to monitor audience engagement and campaign performance, making sure that each design choice advances the objectives of the client.
Over the course of your career, what is one technological shift youโve witnessed in graphic design that really stuck with you?
The increasing use of motion graphics in branding is an important change that has really resonated with me. Motion design has evolved over the last ten years from being a nice touch to someone’s portfolio to a key necessity to someone’s business. The ability to create dynamic videos out of static imagery has been proven to gain attraction and is a key to a brand’s identity.
This change is predominant in brands like Nike and Apple. For example, Apple’s logo animations show the brand’s identity in every frame, demonstrating innovation and sophistication. Nike uses motion graphics to tell compelling success stories or adventures, which cannot be replicated in the same way in an image.
This growth has changed me profoundly. Creating static assets for print and web-based designs was the main focus of graphic design early in my career. However, motion design has more recently become essential due to the increasing demand for video content on sites like Instagram and TikTok. This change forced me to become proficient with programs like After Effects and Premiere Pro, which have helped me produce designs that not only grab the viewer’s attention but also keep it.
What advice would you give to aspiring graphic designers looking to break into the industry today?
The best advice for emerging graphic designers would be to study the basics, followed by unique storytelling techniques. Talented designers know how to make images or animations that convey feelings, convey concepts and resolve issues, in addition to being proficient in programs like Adobe Suite.
Building a solid foundation in basic design compositions such as typography and colour theory is key to understanding the elements of what makes a good design and why. Each project that you begin will only add experience and make you a better designer through experimentation. It is important to use programs like Photoshop, Illustrator and After Effects, which are the industry’s standard software choices, keeping in mind that a tool is only as good as the person who uses it.
You also need to develop a network of people to go to for advice and have strong communication abilities in addition to technical ones. In order to realise ideas, graphic designers collaborate with a wide sector of the business, such as marketers and executives. You need to develop the ability to listen, ask pertinent questions and properly express your perspective.
Finally, maintain your curiosity. Those who can adjust will prosper in the ever-changing design sector. Take a look at how companies like Apple and Nike use design to engage their audiences effectively. Their ability to blend creativity and genuineness is what makes them successful.
In what ways has the accessibility of design software democratised the field of graphic design, and what challenges or opportunities has this created?
The graphic design industry is more diverse and inclusive than ever, thanks to the availability of design software. All sorts of people without professional experience can explore design thanks to free platforms like Canva and even entry-level Adobe products. Small businesses and enthusiasts can now produce their own work without the need for costly software or expensive designers. Even though the quality suffers, they at least have the option to avoid paying for expensive services.
The industry has seen a boom in creativity due to people taking a new approach and initiative. All sorts of people from unconventional backgrounds, who might not have access to study design, are now offering new insights. The status quo has been questioned by this flood of varied viewpoints, only increasing the quality of work in the design field for professionals.
However, opportunities also bring difficulties in the design space. The distinction between amateur and professional design has become blurred, which occasionally diminishes the value of talented designers’ work. When a โgoodโ design can be made with a free tool such as Canva, people question the need for a graphic designer. The level of knowledge, experience and talent a unique designer can bring to the table becomes crucial in this situation. Experienced professionals stand out for their comprehension of user psychology, branding principles and marketing strategies.
A modern-day graphic designer must keep up with the most recent developments in software, technology and marketing strategies. To keep up with trends and observe how other creatives are pushing the envelope, I personally follow the top creative websites like Adobe’s Creative Cloud Blog, Behance and Pinterest. Online forums, like LinkedIn and Reddit design threads, are amazing when it comes to finding what the top designers and businesses are looking for out of a designer.
Webinars and conferences are also great for staying ahead of the curve. I always find it effective to watch Adobe MAX to learn about the latest features and innovative strategies. In addition to this, I watch lessons on sites like Skillshare and YouTube, which provide useful, hands-on methods to experiment with new developments.
I consider a tool’s applicability to my tasks when determining whether to incorporate it into my workflow. Does it address a particular issue? Will it increase creativity or efficiency? For instance, I immediately recognised the promise of Adobe’s time-saving and output-enhancing capabilities like Content-Aware Fill and AI-driven tools in Photoshop. I’m wary of implementing tools that could interfere with my workflow without offering substantial advantages, though.
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